Integral to FilmLA’s work is ongoing research into the benefits that local filming brings to the Los Angeles region. To that end, we maintain an internal research division devoted to the production, collection and dissemination of information regarding the U.S. film production economy and global production trends.
Provided you cite FilmLA as your source, you are welcome to use all information, charts, graphs, etc. that appear in our reports. Copies of higher-resolution images or graphics from recent reports can also be made available.
Have a question about FilmLA data or other film industry studies? Need assistance with a filming-related research project, large or small?
Please direct inquiries and opportunities to our research team at 213.977.8600 or firstname.lastname@example.org
Sound Stage Production Report (2018)
Sound Stage Production Report (2018).
Even as filming is beginning a slow return in Greater Los Angeles, a sobering new report released today reveals the enduring effect of the COVID-19 pandemic on the region’s film, television and commercial production industry. Updated data from FilmLA indicate that filming in area communities declined by 54.5 percent year-over-year to muster just 4,199 Shoot Days (SD)* from July through September, 2020. With Reality TV (up 10.3 percent to 1,159 SD) and Commercials (down 41.2 percent to 782 SD) together accounting for 46 percent of all filming on- location, the local film industry’s road to recovery hinges on a planned October restart for scripted Television and Feature projects of scale.
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FilmLA’s latest Sound Stage Production Report aggregates data supplied by an expanded list of studio partners to quantify occupancy, film use, and non-film use of 246 certified sound stages and adjoining backlots in Greater Los Angeles in 2018. The 17-page report also looks at recent sound stage development and construction across five major global production centers, including Los Angeles, the United Kingdom, British Columbia, Ontario, Georgia and New York.
California leads among the top international competitors when it comes to attracting US-based narrative feature films, according to a new study published today by FilmLA. Feature Films: A Profile of Production analyzes a sample of 291 live-action theatrical-release and 56 streaming-release films from 2018. All films are English-language titles produced by U.S.-based production companies.
The 2019 Television Report offers an overview of the current production landscape for U.S. based television series and new TV projects. In addition to quantifying California’s share, the report assesses some of the trends shaping series production across broadcast, cable and digital networks.
The 2018 Television Report offers an overview of the current production landscape for U.S. based television series and new TV projects (i.e. pilots). In addition to quantifying California’s capture of this economically important business, the report assesses some of the trends shaping series production across broadcast, cable and digital networks.
The 2017 Feature Film Study analyzes the 100 highest-performing U.S. feature films released theatrically last year, identifying where these films were made and how much was spent to produce them. The report also examines five-year trends in feature production including physical production, postproduction and animation.
The pioneering report aggregates data supplied by a growing list of FilmLA studio partners, and examines both occupancy and active film and non-film use of 232 certified sound stages and adjoining backlots over a 12-month period in 2016.
FilmLA’s official count shows that 173 broadcast, cable and digital pilots (109 Dramas, 64 Comedies) were produced during the 2016-17 development cycle, more than two dozen fewer than the previous year.
Employing a new sampling method, the 2016 Feature Film Study analyzes the 100 highest-performing U.S. feature films released theatrically last year, identifying where they were filmed and how much was spent to produce them. The report also examines California’s top competitors and four-year trends in feature production yield.
This report provides updated insight from FilmLA’s decade old tracking effort focused on new television projects and promising series. This year’s report features expanded analysis of digital pilot production and trends in “straight-to-series” pilot orders and “pilot-to-series” relocation.
This report analyzes a sample of 109 U.S. feature films released theatrically last year, identifying where they were filmed and how much was spent to produce them. The report also examines California’s top competitors and year-over-year trends in film production yield.
This report aggregates 5 years of film permit-derived data to present a recent overview of on-location film production in Greater Los Angeles. This report is divided into topic sections addressing the most seriously studied production genres in individual detail.
FilmLA’s 2015 count shows that 202 broadcast, cable and digital pilots (111 Dramas, 91 Comedies) were produced during the 2014-15 development cycle, just one less than the prior year, which was the most productive on record by a large margin.
A total of 22 California-made film projects were released theatrically in 2014 (18 live action films & 4 animated films) giving the state an edge over its competitors in total project count and production spending. The 22 projects filmed in California brought an estimated $1.11 billion in total production spending to the state.